1811
MANREY ( 1890 - 1976 )
Members only
pewter 1975
signed, numbered and inscribed with "ARTCURIAL" (publisher)
ED.550
Publication: 1. "Architectural Digest", P.183, Conde Nast, 1982
2. "Man Ray: Sculptures et Objets", P.165, Philippe Sers Éditeur, 1983
3. "MAN RAY", P.15, Artcurial, Paris, 1991
4. "ART VIVANT: Kishin Shinoyama – Man Ray's Atelier", Seibu Museum of Art, 1985
5. "Mizue Quarterly", No.955, P.12, Bijutsu Shuppan-sha, 1990
6. "MAN RAY", P.149, Sotheby's, London, 1995 (another impression from the same edition illustrated)
(Based on accompanying documentation.)
MAN RAY was a pioneering American-born artist whose practice played a defining role in the development of both Dada and Surrealism. After beginning his career in New York, he settled in Paris in 1921, where he worked alongside leading avant-garde figures including Marcel Duchamp and André Breton. Moving fluidly between photography, painting, objects, and film, he consistently challenged conventional artistic boundaries. His experimental innovations—most notably the camera-less Rayographs and the creative use of solarisation—significantly expanded the expressive possibilities of photography. Guided by chance, experimentation, and the exploration of the unconscious, Man Ray developed a distinctive visual language that questioned the boundaries between reality and imagination. His groundbreaking practice has had a lasting impact on the history of modern art and photography, influencing generations of artists, with works now held in the collections of major museums worldwide.
H:35.0cm (including base) L:11.5cm W:7.0cm
(H:13 ¾ in. (including base) L:4 ½ in. W:2 ¾ in.)
2026/10/21
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