1513
IMAI TOSHIMITSU ( 1928 - 2002 )
Closed Auctions
acrylic on canvas framed Date 1984
signed and stamped signature
titled, dated and signed on the reverse
Provenance: Private Collection, Kanto Region
This work belongs to the "Kachō Fūgetsu" series, which began in the 1980s and incorporates the beauty of Japan's four seasons. It is known as a body of work that integrates Japan's traditional aesthetic sensibilities with Imai's unique abstract expression. Delicate lines depict forms resembling waves, clouds, and flowers, incorporating elements of traditional Japanese decorative art and folding screen painting. Additionally, techniques that embrace chance, such as paint bleeding and splattering, can be observed throughout the composition.
IMAI TOSHIMITSU, born in Kyoto, Japan, received his training at Tokyo University of the Arts. His early works were influenced by Fauvism, and in 1952, he won the Best Newcomer Award at the 15th Shinseisaku Salon. In the same year, he went to Paris to study medieval history and philosophy. In 1955, under the influence of art critic MICHEL TAPIÉ, his style shifted towards abstraction. Imai exhibited at the São Paulo Biennale in 1953, held a group exhibition in Japan in 1956, and participated in the Venice Biennale in 1960. He received the Excellence Award at the 5th Tokyo Contemporary Art Exhibition in 1962. After 1970, he began incorporating text and Japanese cultural elements into his works, eventually addressing themes such as Japan's invasion of China and World War II.
Major Collections: the Ohara Museum of Art; the National Museum of Art, Osaka; and the National Museum of Modern Art, Tokyo
129.0×193.3cm
(50 ¾ × 76 ⅛ in.) (F120)
2025/04/19
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